Sunday, January 10, 2010
The Fantasy and Reality of Rock Stardom
Friday, May 15, 2009
The Tale of Despereaux, Matte Painting and Animation
Ron worked on a team of Matte Painters at Framestore CFC, who digitally painted the backgrounds for the animated feature film, The Tale of Despereaux. The movie's visuals, based on the great Flemish artists, were critically acclaimed for their exquisite painterly style.
Behind the scenes interviews from the Framestore CFC team shed some light on some of the challenges they overcame in order to make such a remarkable film.
Monday, April 27, 2009
Red
Tuesday, March 24, 2009
Gold
Gold is finally finished. Gold is one in the four part series, Rock n' Roll. All oil paintings are 5ft by 5ft in dimension; each work attempts to represent the various emotional phases of a rock star. The idea behind Gold is after the show, spent, gave it all, nothing left to give. Red is next in line to be finished, and then Ron will hopefully start working on White and Black.
Saturday, February 21, 2009
Red
Saturday, December 22, 2007
I've moved to London!
Well, as some of you may know, I got a job as a matte painter at Framestore CFC in London. I've been here about a month and a half now and I can finally say I'm reasonably settled in, so I thought I'd take a moment to finally update my blog after half a year of neglect. I've had to immediately focus on work and setting up my infrastructure, so I haven't had time to do any art on the side yet, but expect some soon. I'm going to Salzburg and Amsterdam for the Christmas break and I hope to do some sketching while I'm there. Cheers!
Sunday, July 1, 2007
New Character and Vehicle Designs
Here's a couple of new character and vehicle designs I've been working on. The top one is a heroine and her sidekick based on the main personalities of the Chinese creation myth. The god Pangu created the world, then Nuwa created people. At some point after creation the world fell into chaos and Nuwa struggled to restore order to the world. Sounds like an excellent inspiration for a super heroine to me. I think I might develop their backstory further in the future. I had a bit of a struggle with getting all the reflections to work well in her suit. I think it was an excellent learning experience. I think I've got the mojo of the physics of it all down pretty well now.
I was inspired to do the second piece when I saw a kick-ass fully restored, cherry 1968 Camaro at a shop where Hally's car was being fixed. It was up on the hydraulic lift and I was able to really thoroughly examine it. It looked so aggresive and I imagined that it could make a pretty intimidating Mad-Max-style war machine in a post-apocalyptic world. voila.
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